Nikon remains one of the leaders in the global DSLR market.
The growth of interchangeable lens cameras is due to users who are migrating from high-end smartphones into DSLR photography. At only $ 447 bundled with an 18-55 mm kit lens, the Nikon D3500 is probably the most popular beginner’s DSLR camera in the world.
But one lens is not enough. You might not even buy the bundled lens. If possible, go for the body and a lens of your choice. That is why we have done a deep dive into all the lenses you can buy, available at every price point suitable for your Nikon D3500.
The Best Nikon D3500 Lenses In The Market
|Image||Product Name||Features||Check Price|
|Nikon AF-P DX NIKKOR 70-300 mm f/4.5-6.3G ED VR|
|Nikon AF-S DX Nikkor 55-300mm F/4.5-5.6G ED VR|
|Nikon AF-S DX Nikkor 35 mm f/1.8G Prime Lens|
|Nikon AF Zoom-Nikkor 80-200mm F/2.8D ED Telephoto Zoom Lens|
|Nikon 70-300 mm f/4.5-5.6 G AF-S VR IF-ED Telephoto Zoom Lens|
|Tamron 10-24mm f/3.5-4.5 Di II VC HLD|
|Nikon AF-S DX Nikkor 16-80mm f/2.8-4E ED VR Lens|
|Nikon AF-S DX 40mm f/2.8G Micro|
|Sigma 50mm F1.4 DG HSM Art Lens|
|Nikon AF Zoom-Nikkor 70-300mm f/4-5.6G|
The AF-P in the name indicates that it is one of the latest lenses and has a stepper motor. The autofocus works with a faint hum. The lens focuses internally with no external movement or telescoping.
There is no way to switch off autofocus from the lens, and you have to do it from the camera menu. The lack of an AF/MF switch was sorely missed by us during tests.
The interior of the lens has in all 14 elements which are arranged in 10 groups and is equivalent to 105 to 450 mm when used in FX or 35 mm cameras.
The construction is almost entirely of good quality plastic including the mount. The lens cap is included, but no lens hood.
The motor makes it easier to focus in Live View mode. VR means it has built-in image stabilization and can correct any trembling of the hand.
The lens is not very bright, and able to provide only f/4.5 at a minimum focusing distance of 70 mm. That rises to 6.3 at 300 mm.
The quality of bokeh shots is satisfactory but not exceptional. It is adequate as long as you keep in mind that this is an affordable lens for beginner photographers who are learning their art.
- Not at all expensive
- Efficient stepper motor
- Almost silent autofocus
- Can focus as close as a meter
- Light and compact build
- No AF/MF switch
- Plastic lens mount
A perfect budget lens for shots taken from quite far away. The Nikon AF-S DX Nikkor 55-300mm F/4.5-5.6G ED VR is priced at approximately $ 400 and captures crystal clear images with 5.5X zoom without any compromise on quality.
If you are not looking to upgrade to a full-frame FX anytime soon, you might consider investing in this one.
Inside there are 17 elements in 11 groups. This includes two Extra-low Dispersion elements and one High Refractive Index that perform well to augment image clarity.
The diaphragm has nine blades and offers an aperture of f/4.5 at 55 mm. This diaphragm has two more blades than the cheaper Nikon 55-200 mm VR lenses.
The VR II gives you 4 stops over 3 stops of the VR, which means you can get away with a slight shaking of the hand.
Our tests showed that it is not a constant lens. As you increase the focal length, the max and min aperture would reduce. At 300 mm the largest aperture possible is f/5.6.
The sharpest images were at about 80 mm and f/8. Above 220 mm, we noticed noticeable chromatic aberration. At focal length above 110 mm and widest aperture of f/4.8, there was vignetting.
The lens is slow to autofocus, but thankfully, there is an AF/MF selector.
- 4 stops available
- Small and lightweight
- Well built from polycarbonate plastic
- Value for money
- Has AF/MF button
- Not satisfactory performance above 200 mm
- Slow autofocus mechanism
It is essential that when you expand beyond the kit lens, you not only buy a telephoto zoom but a prime lens. A large aperture fixed focus lens is invaluable because there are less number of lenses that light travels through and hence less distortion.
The Nikon AF-S DX Nikkor 35 mm f/1.8G Prime Lens is available for about $ 190 and meant for all Nikon DX cameras including the D3500.
35 mm DX translates to about 50 mm FX, and this one fits in perfectly as a standard lens and provides images identical to that seen by the human eye. With Nikon Silent Wave Motor you can autofocus if needed.
On the inside, there are 8 elements in 6 groups, including one hybrid aspherical element. The lens can focus at minimum one feet or a third of a meter.
At different apertures from f/1.8 to 8, it performed well and produced sharp and clean images. There was some lateral and longitudinal chromatic aberration, but that is only to be expected from one that is so affordable.
There was quite a lot of vignetting at the maximum aperture setting, but this disappeared at f/2.8.
Overall it performed decently and is handy to have with you if you are looking for the perfect lens for great photography at a gala wedding or perhaps around the neighborhood without changing the settings too much or needing zoom.
- Fast autofocus
- A quick change to manual focus
- Highly satisfactory bokeh
- Affordable and great for beginners and enthusiasts
- Good image quality
- Chromatic aberration present
- Substantial vignetting at low aperture
Quite expensive at $ 1,220 the Nikon AF Zoom-Nikkor 80-200mm F/2.8D ED Telephoto Zoom Lens is meant for those who are serious about outdoor photography. The price is several multiples of the f/4.5 70-300 mm lens we described at the top of this comparison.
The price is because it is not outsourced by Nikkon but Made in Japan. In some form, this lens system has been a part of Nikon product line from the 1990s. Made of metal, it is robust and built to take the rough with the smooth.
Without any delicate VR mechanism, you could expect it to work for years without breaking down in the middle of nowhere. Of course, the absence of AF-S means autofocus is slightly slow.
The drawback is that it would not autofocus on the cheapest Nikons like D3500.
Inside the body, there are 16 elements arranged in 11 groups, of which three are Extra-low Dispersion. The 9 elements diaphragm stops down to f/22.
This has been a favorite of professional photographers for decades and even when wide open at f/2.8 gives superb pictures.
A quite heavy lens at well over a kilogram is however very well balanced. The flange at the front prevents your hand from moving too far forward. You have to use your middle finger around the focus ring and thumb to switch between manual and autofocus.
- No problems with vignetting
- A rare telephoto you could also use as a macro
- Smooth and precisely machined
- The photo qualities are simply superb
- Easy to reach AF/MF selector
- Lack of VR stabilization for those who require
- Nikon 70-300 mm f/4.5-5.6 G AF-S VR IF-ED Telephoto Zoom Lens
Targeted squarely at the enthusiast level sports and wildlife photographers, the Nikon 70-300 mm f/4.5-5.6 G AF-S VR IF-ED Telephoto Zoom Lens Lens packs quite a punch. Priced at $ 800 it is not too expensive for a serious photographer.
Nikon has made a very good lens that does not pretend to be great. Mostly made of plastic it, however, has a metal lens mount. Being a G type lens, it has no aperture ring. When used with a Nikon D3500 you get a field of view that is identical to 105 – 450 mm on an FX camera.,
There are 17 elements arranged in 12 groups with two Extra-low Dispersion elements. The 9 blade diaphragm stops down to f/32.
Our tests showed that it is the perfect lens to have if shooting still subjects. The autofocus is fast, and there is a dedicated AF/MF toggle.
The VR II system is noisy but allows you to take pictures in low light with longer shutter times. It is capable of full 4 stops. The bokeh effect is subtle and neutral.
At almost 750 grams, it is much heavier than the camera, but the construction is very high quality, and the lens feels solid in your hands.
The Silent Wave Motor works perfectly, and the front lens does not turn when focusing.
- Very good till 200 mm
- Large zoom ring
- Easy to use manual focus
- Swift autofocus
- VR II makes a tripod unnecessary
- Plastic build
- VR is noisy
At some point in your photographic career, you would want to get a wide-angle lens as part of your lens kit. The Tamron 10-24mm f/3.5-4.5 Di II VC HLD is ideal though a tad expensive at $ 500.
If you are looking for dramatic sunset shots from horizon to horizon, then a wide-angle lens is indispensable. The Tamron 10-24mm F/3.5-6.3 Di-II VC HLD is weatherproof and offers a slew of features at a price that is less than similar lenses available from Nikon.
The lens is short and stubby and made from polycarbonate plastic with rubber-coated zoom ring. It is waterproof, and the front of the lens system is fluorine coated, making it smudge-proof and easy to clean.
Primarily used as a landscape lens, it is not very heavy at 440 grams. The soft matte finish looks gorgeous and expensive. It slips easily on and off the D3500.
On the left side of the lens barrel, there is a toggle for changing from manual to autofocus. There is another button for enabling the image stabilization system.
Inside you will find 16 elements in 11 groups. The images are bright and vivid, but the edges are faintly blurred, especially when you go really wide. At near maximum aperture, there is a lot of vignetting, but it drops off at f/8.
- Overall high image quality
- Effective image stabilization
- Expensive and premium feel
- Reasonably affordable
- Compact and easily carried
- Noticeable vignetting at maximum aperture
- Blurry edges at wide-angle
This is the best do-everything lens. It can shoot wide, zoom and take reasonably great close-ups. Priced at $ 1,070 the Nikon AF-S DX Nikkor 16-80mm f/2.8-4E ED VR Lens is one of Nikon’s better all-rounder kit lenses for budding photographers.
What do you get in exchange for this price? The much-coveted Gold Ring at the end of the barrel. It is the best way to flaunt that you use nothing but professional lenses quietly.
It also gets you fluorine coating at front and back which makes it easy to remove the oily smudges. In addition, you get VR II with Silent Wave motor and aspherical elements. That is quite a long list of goodies.
Inside the barrel, there are 17 elements arranged in 13 groups. Of these, four are Extra-low Dispersion elements, and three are aspherical. The closest it can focus is about 1.2 feet.
It is small and fast. The lens does everything well but at a rather steep price. At 480 grams, it is light being constructed of plastic. There are toggles for MF/AF and VR On/Off. The autofocus makes a faint whirring sound and can be slightly distracting.
The images are quite good, and there is no noticeable vignetting unless you drop all the way down to f/2.8. The bokeh effect is soothing and attractive.
- 5X zoom is excellent for a kit lens
- f/2.8 aperture
- Fluorine coating
- Gold Ring quality
- Responsive autofocus
- High priced
- Vignetting at wide-angle
We found it to be a fabulous all-purpose lens suitable for outdoor conditions that can also take lovely close-ups. The interior is made of 9 elements in 7 groups. To focus the front lenses move and the lens telescopes.
The diaphragm is made of seven elements and stops down to f/22.
The autofocus is fast and reliable. It takes just a second to switch from infinity to close up.
The color palette is excellent, and the bokeh effect is soothing. This is a good purchase if you are looking for an entry-level lens into macro photography.
There is too much of focus breathing – sharp changes in magnification with small changes in focus. This is especially true when you try to shoot close-ups. The close-focus point is only 6.4 inches being a macro, but it is best to use it from about 9 inches away.
- Superb optics
- Sharp images with low distortion
- Lightweight and durable
- Tough polycarbonate build
- Inexpensive to buy
- Cannot take perfect close up shots
- Inner barrel projects quite far
This exceptional lens from Sigma is now available in the market and priced at $ 949. It belongs to their Art range. Optically speaking it is the best 50 mm lens that we have ever tested in our labs.
It is not that you would note much difference between this and other 50 mm lenses at f/4, but at f/1.4 you comprehend why the price is so high.
There are 13 elements arranged in 8 groups inside the lens barrel. Three of these are Extra-low Dispersion elements, and the rear element is aspherical. The nine-blade diaphragm stops down to f/16.
The pictures taken by the Sigma 50mm F1.4 DG HSM Art Lens was impressive, to say the least. There was no vignetting, even with three filters. All the way from f/2.8 to f/13, we took images that were clear and crisp with no aberration of color around the edges.
The autofocus is silky smooth and quick. The focusing is internal, and there is no inner lens barrel projection. The downside is that it is quite bulky and expensive. The incredible build quality and astounding optics made it our favorite lens by far.
- Exceptional quality of images
- Superb resistance to flaring
- Quick and silent autofocus
- Superb build and design
- Attractive bokeh rendering
- Quite expensive for a general-purpose lens
- Not weatherproofed
Meant as an FX lens, it also works with DX mounts like D3500. The Nikon AF Zoom-Nikkor 70-300mm f/4-5.6G is priced at an extraordinarily reasonable $ 170.
At this low price point, you do not expect superb images but rather a good lens that has autofocus and is fit for rough use by a beginner photographer.
At 70 mm you can use f/4 and at 300 mm f/5.6. It is not a constant lens and has no pretensions to such greatness. The lens performs decently between f/8 and f/11 and is well suited for outdoor use with plenty of daylight.
In low light, it did reasonably but not much more than better quality point and shoots. The lens system is made of 13 elements in 9 groups.
The lightweight makes it ideal for carrying around, and since it is really inexpensive, you will not worry about damaging it. The autofocus is not very smooth, but as a downmarket telephoto lens, you could hardly expect much more. It does not have the Silent Wave motor that the rest of its brethren featured above had.
As long as you do not zoom more than 200 mm, you get impressive results. If you understand the limitations of the lens, it gives great results.
This is the cheapest telephoto lens that we have ever tested. Keep in mind that most decent spectacle lenses cost more than this lens system, which boasts of the prestigious Nikkor brand name.
- Highly affordable
- 4.3X zoom
- Perfect for beginners
- Good at outdoor photography in bright daylight
- Very light
- Lack of Silent Wave motor
- Lack of image stabilization
Buyer’s Guide for Nikon D3500 Lens
- Compatibility – Nikon D3500 is a DX camera with an F type mount. Always make sure that you are buying a lens with the exact same mount.
- Focal Length – A short focal length provides a wider angle, and a longer focal length narrows the field of vision.
- F-Number – This will decide how wide the aperture that lets light inside the camera would be. As a rule of thumb lenses that perform well at low f-numbers (wide aperture) are more expensive.
- Type of Lens – You would need one prime (all-purpose) lens and one telephoto to start. Later you can add a wide-angle and macro lens if needed.
- Image Stabilisation – Most cameras have inbuilt image stabilization. It helps if the lens system has one too. Working together, they give the best outcome.
FAQs regarding Lens for Nikon D3500
1. How many lenses do I need?
That would depend on what you want to do. Ideally, you should have one prime lens and one telephoto lens. If possible, add a larger telephoto and wide-angle later.
2. My camera came with an 18-55 mm lens. Do I need another lens?
The bundled 18-55 mm Nikon is a cheap all-purpose lens. You may not choose to upgrade. But to make the most of your camera, a relatively inexpensive lens such as Nikon AF-S DX Nikkor 55-300mm F/4.5-5.6G ED VR is necessary.
3. Why do I need autofocus?
You don’t. If you are serious about photography, you should avoid using autofocus for the first few months while you understand the relationship between aperture, ISO, and exposure. But autofocus is useful for taking good pictures with no hassle.
4. Are expensive lenses better?
Photography consists of four elements – the camera, the lens system, the subject, and the user. A more expensive lens is of no use without a knowledgeable user.
5. Can I use only a prime lens?
Most of your daily photography that does not need zoom can be achieved with a prime lens. Taking pictures at weddings, family photos, and plain landscape views can be done using only a prime without a macro, wide-angle, or telephoto.
We know it is expensive, but the Sigma 50mm F1.4 DG HSM Art Lens takes the first place. The unbeatable optics and the wonderful finish makes it the best all-purpose lens we have ever seen. It is ideal for indoor or street photography and delivers fantastic images.
The second-place goes to the tried and tested Nikon AF Zoom-Nikkor 80-200mm F/2.8D ED Telephoto Zoom Lens. Sturdy and flawless are the words that come to mind when describing it. Precisely crafted from metal, it has a timeless quality that is hard to put into words.